Category Archives: Recordings

Moon Landing (Version 2.0 Longgyi)

Earlier this year I was involved in a fantastic collaborative exhibition by Phantom Limb and Noise in Yangon – ‘A Sound Journey to Freedom’. I worked with the fantastic artist Moe Myat May Zarchi (aka P.O.E.M) on a new film Moon Landing (Version 2.0 Longgyi, which features archive sound, recordings that Moe had made at protests in Myanmar and music. The film was exhibited at God’s House Tower in Southampton earlier this year, and you can watch it below and find out more about the project and other artists here.

Beacons

Was great to receive in the post a beautiful new publication from Sam Belinfante, ‘On the Circulation of Blood’, which documents his Folkestone Triennial project. My score for Beacons is included, as are scores by a group of amazing composers including Neil Luck, Josephine Stephenson, Elaine Mitchener, Sarah Dacey and Bernhard Schimpelsberger. Studio recordings of the scores have been released bandcamp too.

The ‘Beacons’ score

You can find out more and buy the Extended Score and Album here:

https://www.coursdepoetique.org/on-the-circulation-of-blood/?mc_cid=cd145394f9&mc_eid=086e7d3a09

ANIL SOOD film released

Recording ‘Drip Feeder’

Had a great morning last week recording Drip Feeder for piano and electronics with the amazing Yshani Perinpanayagam. Looking forward to sharing with the world in April 2024 when Birmingham Record Company release a portrait album provisionally titled ‘Too Many Sweets’!

‘A-Listers’ recording at Turner Sims

Was really great to have the London Sinfonietta down to visit Southampton last week to undertake the recording of my newest piece A-Listers for piano and electronics. Clíodna Shanahan was in the Steinway recording hot seat and was fantastic to work with her and Adam Flynn from the Sinfonietta who was engineering. My collaborator on this London Sinfonietta Community Commission, artist Alys Scott-Hawkins, will work with the recording, animation and archive footage to make a film for release later this year or early in 2022. Both the music and film interpret the story of Anil Sood, who is well-known in Southampton for running a dance music record shop and drum’n’bass events in the 1990s and 2000s.

Soundmaking Podcast

Was really great to speak to my mate and colleague Matthew Shlomowitz for his great podcast (made with Håkon Stene) Soundmaking. We spoke about my theorbo piece for Liz Kenny, Extending from the Inside and podcast finishes with the Linn recording of the piece from her CD Ars Longa. You can hear it on Soundcloud, Spotify and Apple Platforms!

‘From the Sublime to the Ridiculous’

COVID-19 lockdown has been a hectic and strange time for all of us. I’ve not been massively creative, with a lot of my gigs and activities being cancelled, and a busy time working at the University of Southampton.

However, the fantastic pianist Duncan Honeybourne (and my colleague at Southampton) approached me to see if I’d like to write a short piece for his Contemporary Piano Soundbites series. From the Sublime to the Ridiculous is what came out…

Excited that Duncan is recording a bunch of these pieces for a CD later this year.

In the Alps

I had blast directing the Hartley Loop Orchestra in a major University of Southampton Music Department project at Turner Sims, IN THE ALPS. We performed Richard Ayres’ masterpiece No 42. (In the Alps: an animated concert) featuring soprano Juliet Fraser (wearing an amazing garment made by students at Winchester School of Art), as well as Carnival of the Animals with soloists David Owen Norris and Verity Brooks and a brand new work, Shadows, by Zoe Sones. Was fantastic to work so closely with Southampton students and colleagues on the project and Juliet was AMAZING. Here are some pics by the massively talented Ash Sealy and a short audio excerpt.

eavesdropping.london · Juliet Fraser sings Richard Ayres ‘No. 42 — In the Alps’ (extract)