Super delighted Mr. Turquoise Synth was selected by Score Follower for their Fall 2020 #FollowMyScore call for works. The piece features the piano skills of Yshani Perinpanayagam and the synth building skills of Blake Troise (aka Protodome).
In November Rachel Warr and I did a cool outreach project around Pythagoras’ Tool Kit for the University of Southampton’s Hands on Humanities Day. You can watch the broadcast about the project and find out more at the special project Padlet.
The amazing Duncan Honeybourne recorded some of his Contemporary Soundbite commissions in July and is released on various channels and on a great new CD by Prima Facie today. The recording of my ‘From the Sublime to the Ridiculous’ sounds absolutely fantastic.
‘Pythagoras’s Toolkit’ for puppet and ensemble, has been awarded funding for further Research and Development work from Arts Council England. The application was led by my theatre director collaborator Rachel Warr and includes funding towards creating an outreach project for the Hands on Humanities Festival at the University of Southampton.
COVID-19 lockdown has been a hectic and strange time for all of us. I’ve not been massively creative, with a lot of my gigs and activities being cancelled, and a busy time working at the University of Southampton.
However, the fantastic pianist Duncan Honeybourne (and my colleague at Southampton) approached me to see if I’d like to write a short piece for his Contemporary Piano Soundbites series. From the Sublime to the Ridiculous is what came out…
Excited that Duncan is recording a bunch of these pieces for a CD later this year.
At last year’s Cohan Collective Dance Residency I worked with choreographer Joshua Ben-Tovim and composer Hollie Harding on a new work Enemy of the Stars. A BBC New Creatives film, BLAST, directed by Roseanna Anderson and Josh (http://impermanence.co.uk/), emerged from this collaboration. The film was inspired by the Vorticist journal – BLAST – which was edited by Wyndham Lewis. The journal included short stories, numerous illustrations, poems and a manifesto signed by 11 artists including Ezra Pound and Gaudier Brzeska. Hollie and I worked together to create the music for the film from musical materials we developed last summer.
The film evokes the pulsing energy of early modernist Britain with its experiments in form and desire to manifest a utopian future. We sit alongside a female audience and follow an artist, two dancers and two lovers, with the heavy shadow of retrospect, knowing the carnage and decimation that was to follow this remarkable period of productivity.
I had blast directing the Hartley Loop Orchestra in a major University of Southampton Music Department project at Turner Sims, IN THE ALPS. We performed Richard Ayres’ masterpiece No 42. (In the Alps: an animated concert) featuring soprano Juliet Fraser (wearing an amazing garment made by students at Winchester School of Art), as well as Carnival of the Animals with soloists David Owen Norris and Verity Brooks and a brand new work, Shadows, by Zoe Sones. Was fantastic to work so closely with Southampton students and colleagues on the project and Juliet was AMAZING. Here are some pics by the massively talented Ash Sealy and a short audio excerpt.
Really enjoyed conducting the premiere of Hollie Harding’s Regeneration with the PLAYLIST Collective. Here’s a nice vid…
I had so much fun playing tracks from ‘Birth of the Cool’ with the PLAYLIST Collective directed by Dan Mar-Molinero back in June. Here’s a video of ‘Israel’: