I had a great time at the MISE-EN Music Festival in New York last week. Great to meet and talk with composers from all around the world and to hear their pieces and presentations. Pianist Dorothy Chan performed my Mr. Turquoise Synth (2017) brilliantly, alongside Mr. Turquoise Synth himself of course. We hope to find a way to work together again in the future. Thanks to Moon, Jordann and everyone at Ensemble Mise-En.
Felt like a grown up presenting at the OCI Conducting Studies Conference on Saturday. Had a great time at the conference; heard some excellent papers and great to talk with some like-minded people. Looking forward to the next one in a couple of years…
I’m looking to talking about the ‘Capturing the Contemporary Conductor’ project at the Oxford Conducting Institute International Conducting Studies Conference on 23 June.
Last year the London Sinfonietta asked me to make a postcard piece for their 50th birthday, which just meant the piece had to fit onto one side of a postcard. Here is the postcard and below is a short electronic version I made of the piece to demo how it could work:
I’m delighted that Mr. Turquoise Synth for piano and 1-bit synthesiser has been selected as one of 26 pieces to feature at the MISE-EN MUSIC FESTIVAL 2018 in New York. I loved going to the festival back in 2014 and am interested to hear how Mr Turquoise (designed by Blake Troise aka PROTODOME) gets on duetting with someone else than the dedicatee Yshani Perinpanayagam. More details to follow!
Just uploaded some recordings of the premiere of The Virus Within: Hearing HIV from February. Videos to follow in April!
Loved working with my friends Workers Union Ensemble and Dr Chad Swanson (King’s College London) on my newest piece The Virus Within: Hearing HIV. We premiered the piece on Thursday to a great crowd at Guy’s Chapel, King’s College London. Unfortunately the Southampton performance on 10 March has had to be cancelled but we will play at the University of Southampton Science and Engineering Day 2019 instead!
We asked the audience in London for five word reviews. Here are some of my favourites (!):
- “Novel, exciting and inventive, complex piece”
- “Head on crash with virus”
- “Interesting but slightly anxiety inducing!”
- “Brilliant translation: science to music. Thank you! One of the best pieces of scientific performance art I’ve ever seen/heard. Incredibly intellectually rewarding. Wonderful!”
- “Top science/music mash-up”
- “A structurally chaotic masterpiece!”
Recordings and video to come soon and, hopefully, more performances!
I’ve just finished a new piece B.m.B for small ensemble and electronics, which will be performed by Ed Hughes’ New Music Players on 8 February 2018 at the Attenborough Centre as part of a their Tallis Festival.
The piece is my creative response to Brexit and the world of the great 16th century English composer Thomas Tallis!
It will be performed alongside works by Ed Hughes, Rowland Sutherland, and Sussex composers Lee Westwood, Eleanor Clapp, Jason Hazael and Hugh Chambers, and an AI generated composition based on machine readings of Tallis’s musical output.
I’m just putting the finishing touches on the first two movements (of three) of my 30-minute new piece for Workers Union Ensemble, The Virus Within: Hearing HIV. Workers (with two new lovely babies!) are coming for a November weekend in Southampton to rehearse the piece and do some recording for the electronics that will be involved in the piece. Then I have a few months to sort out the electronics stuff and write the short final movement for the premiere on 15 February at the Chapel of Thomas Guy, King’s College London (KCL).
I’m excited about this piece. It’s been great to collaborate closely with KCL virologist Chad Swanson in developing the music and I can’t wait to see it all come together.