My piece Drip Feeder for piano and 1-bit synth has been selected by the ISCM British Section Board to be submitted to the International Jury for the ISCM 2024 in the Faroe Islands. Super honoured to be put up for this amongst a group of super talented composers.
In 2022 I was involved in a couple of cool projects with Music colleagues at Southampton. The first was ‘Exquisite Corpse of AI (Consequences)’ which features music by Drew Crawford, Bella Barlow, Brona Martin and me. This video is the whole piece, but kicks in from near the end of Brona’s part leading into my ensemble contribution Phat Feet.
The Triple Helix Music Project was a collaboration with students and staff from across the Department, led by my friend and amazing colleague Drew Crawford, which responded to the Triplex Helix of the University of Southampton strategy…
Just got around to uploading a July interview I did with Sara Firth from London Live about the Love Letters [with AI] project…
Was a total joy working with the amazing Hannah Williams, awesome musicians from Riot Ensemble and a brilliant research team from the University of Southampton on the ‘Love Letters [with AI]’ project. Ash Sealy (@whatabouttheash) captured the London gig fantastically. I’m really proud of this project and especially my new 7-song cycle Love Letters. We recorded it last week too and hopefully the cycle will feature on my portrait album next year…
Difficult to know what to say.
I’ve created an electronic soundtrack to accompany Josh Ben-Tovim‘s choreography for ‘Enemy of the Stars’. The musical materials were created with Hollie Harding back in 2019 as part of the Cohan Collective Residency. The work will be performed by Impermanence as part of a quadruple bill in a tour taking in Huddersfield, Bristol and London in April and May. Details in gig listings.
Just back from a brilliant week or so in Montreal conducting the premiere of my collaborative puppetry-music work made with Rachel Warr (Dotted Line Theatre). It was fantastic working with Rachel, the amazing musicians of Ensemble Paramirabo, and ridiculously talented puppeteers Gilbert Taylor and Edie Edmundson. The reception from both kids and adults was fantastic, and it was really great to be part of the Festival de Casteliers. Great to see lots of weird and wonderful puppetry in other shows too! Fingers crossed this production leads to further opportunities to do the piece. I’m hugely proud of what Rachel and I have created together and grateful to Jeff Stonehouse and all at Ensemble Paramirabo for believing in it and supporting the project.
I’m excited to have received some funding from the Web Science Institute at the University of Southampton to lead an interdisciplinary project exploring artificial intelligence language generation of song texts. The ultimate outcome will be a new song cycle for British soul sensation Hannah Williams and a superstar quartet of Riot Ensemble players, which we’ll premiere in Southampton and London in July 2023!! More soon!
I’ve spent the past few months busily revising and reworking, with my creative collaborator Rachel Warr of Dotted Line Theatre, the score of Pythagoras’ Toolkit (La Boîte à outils de Pythagore in French!) for ensemble and puppeteer. We are working towards the inaugural production of the show with the amazing Ensemble Paramirabo, which will take place in early March in Montreal. I’ve just sent off the production score and parts!
Rachel is brilliant to work with. Super talented of course but also so focused on ensuring the narrative of the show is totally honed. We started working on the piece back in 2019 and have had lots of (mostly pandemic induced) setbacks along the way so it’s really great to be finally heading towards showing this piece to the world.
Details of shows on my gigs page. We are filming and recording it too.