In 2022 I was involved in a couple of cool projects with Music colleagues at Southampton. The first was ‘Exquisite Corpse of AI (Consequences)’ which features music by Drew Crawford, Bella Barlow, Brona Martin and me. This video is the whole piece, but kicks in from near the end of Brona’s part leading into my ensemble contribution Phat Feet.
The Triple Helix Music Project was a collaboration with students and staff from across the Department, led by my friend and amazing colleague Drew Crawford, which responded to the Triplex Helix of the University of Southampton strategy…
I’ve just come back from a big summer break with the family, had an awesome time (pic of a lovely Italian vineyard below!). Just before I went away I finished my 3-year stint as Head of Music at the University of Southampton, handing over to my colleague Prof. Tom Irvine. It’s been quite a ride managing things through the pandemic and with other challenges. Really glad I did it but also pleased to return to having more space for creative projects. Lots on the way so watch this space!
COVID-19 lockdown has been a hectic and strange time for all of us. I’ve not been massively creative, with a lot of my gigs and activities being cancelled, and a busy time working at the University of Southampton.
However, the fantastic pianist Duncan Honeybourne (and my colleague at Southampton) approached me to see if I’d like to write a short piece for his Contemporary Piano Soundbites series. From the Sublime to the Ridiculous is what came out…
Excited that Duncan is recording a bunch of these pieces for a CD later this year.
Video now online of the premiere of my Changing Up + for solo percussionist and large ensemble from the recent SHIFTS project at Turner Sims. Joley Cragg totally nailed the percussion as did the HARTLEY Loop Orchestra, which features students and staff from the University of Southampton Music Department.
Back in 2015 I wrote a piece with the amazing poet Luke Wright for the London Sinfonietta, which we performed at Queen Elizabeth Hall. It was a great experience and I’m delighted that our collaboration will continue as we develop a new piece for, and with, Riot Ensemble over the coming year or so. The first stage of development is 2 days together in mid-September to try out some ideas and get things moving. This will happen at my stomping ground at the University of Southampton and is possible thanks to Riot Ensemble’s Arts Council funding and some support from the University. Big thanks to Aaron Holloway-Nahum for believing in the project and being so supportive.
Had a fantastic time last week doing SHIFTS with students and colleagues from University of Southampton Music Department and brilliant percussionist Joley Cragg. Videos to come soon but here are a few pics, thanks to Amy Williamson.
On 27 November Aisha Orazbayeva (violin), Alice Purton (‘cello) and Mark Knoop (piano) performed my Piano Trio (with whistles), which I wrote in 2014 as part of their concert at the University of Southampton Music Department professional concert series. I’m pleased to have uploaded to Youtube a video of their fantastic performance:
I’m delighted to have been nominated for Loop Concerto for jazz trio and large ensemble in the Contemporary Jazz Composition category of the British Composer Awards 2017.
Obviously honoured and super grateful to the people that made the piece work: the amazing trio involved in the premiere Ivo Neame (piano), Jasper Høiby (double bass) and Jon Scott (drums); the University of Southampton students and staff who played in the HARTLEY Loop Orchestra; Turner Sims for staging it; and the Music Department at Southampton for funding ‘The Loop Project’ in 2017!
The awards ceremony is 6 December at the British Museum…