I’m just putting the finishing touches on the first two movements (of three) of my 30-minute new piece for Workers Union Ensemble, The Virus Within: Hearing HIV. Workers (with two new lovely babies!) are coming for a November weekend in Southampton to rehearse the piece and do some recording for the electronics that will be involved in the piece. Then I have a few months to sort out the electronics stuff and write the short final movement for the premiere on 15 February at the Chapel of Thomas Guy, King’s College London (KCL).
I’m excited about this piece. It’s been great to collaborate closely with KCL virologist Chad Swanson in developing the music and I can’t wait to see it all come together.
I’m really delighted that the Medical Research Council have funded the development and London performance of ‘Hearing HIV’, which is a collaboration with King’s College London virologist Chad Swanson and Workers Union Ensemble. The idea of the project is to develop a new three-movement ensemble composition that musically depicts biological processes involved in HIV replication and how innovative ‘Shock and Kill’ treatments might provide a cure for HIV. Hearing HIV will enable audiences to develop an understanding of the HIV life cycle, cutting-edge therapies for HIV and innovative contemporary music structures. The premiere, in London, will be in February 2018 – watch this space for details!
‘HIV Translation’ illustration by David Goodsell, 2015 (click to go to original upload, reproduced under CC license)
Several weeks ago I conducted the Workers Union Ensemble for a recording of a new work by Matthew Kaner, Collide, at BBC Broadcasting House. Matt is currently ‘Composer in 3’, a residency with BBC Radio 3 and Sound and Music and is writing ten new pieces to be recorded for broadcast on the station in the next ten weeks. The Workers Union Ensemble have a long, and happy, association with Matt so we were delighted when he asked us to record the first of these ten commissions.
Collide was broadcast for the first time on the Radio 3 Breakfast this week and is being played at some point during the Breakfast show every day this week. It’s available on the iPlayer and includes a short interview too:
Scores are arriving for the Workers Union Ensemble gig in collaboration with New Dots. We’ll soon be meeting in Southampton to rehearse new pieces by Monika Dalach, Nick Morrish Rarity, Camilo Mendez and our Composer-in-association Seán Clancy. The gig is at The Warehouse in London on 16 April. Early bird tickets are now available!
Just got back from an excellent, but tiring, Sound and Music supported tour conducting the Workers Union Ensemble. Was great to play new works by various composers and to perform Simon Steen-Andersen’s On And Off And To And Fro four times. Here is a recording of my new work for the ensemble, Zeros and Ones:
We will tour Simon Steen Andersen’s On And Off And To And Fro (2008) for soprano saxophone, double bass, vibraphone and three players with megaphones alongside five new commissions. I will be on conducting duties as usual and will also pen a new piece for my Workers mates!
I have just finished a mini-tour with the group I am fortunate enough to conduct Workers Union Ensemble. We performed at Turner Sims Concert Hall in Southampton, Birmingham Conservatoire and a final gig at LSO St. Luke’s in London. I can honestly say it has been totally brilliant to work with all in the ensemble and composers we commissioned on our ‘Constructing a Repertoire’ project. Can’t wait for future adventures!! For now here are some recordings from our Birmingham gig…
The Workers Union Ensemble have just announced our Call for Works 2013, part of our PRS for Music Foundation funded ‘Constructing a Repertoire’ commissioning project. We are really pleased to be teaming up with LSO Soundhub to offer the chance for up to four composers to have their works performed and recorded at our LSO St Luke’s gig in November 2013.
The deadline for emailing us your new scores is 5th July 2013 so composers get cracking!